PAGODE RAIZ
1991
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Foi de Pernambuco para o Rio de Janeiro aos 15 anos escondido em um navio, e lá ficou trabalhando na construção civil. Tocava percussão desde criança e logo entrou em um bloco carnavalesco, onde um dos componentes o levou para a Rádio Clube do Brasil, em 1950. A partir daí passou a atuar como compositor, instrumentista e cantor, gravando seu primeiro compacto e 1969 e o primeiro LP seis anos depois. Inicialmente gravou cocos sem sucesso. Mas a partir da série Partido Alto Nota 10 começou a encontrar seu público. O repertório de seus discos passou a ser abastecido por autores anônimos (alguns usando codinomes para preservar a clandestinidade) e Bezerra notabilizou-se por um estilo "sambandido", precursor mesmo do "gangsta rap" norte-americano. Antes do hip hop brasileiro, ele passou a transmitir do outro lado da trincheira da guerra civil não declarada: "Malandragem Dá um Tempo", "Seqüestraram Minha Sogra", "Defunto Cagüete", "Bicho Feroz", "Overdose de Cocada", "Malandro Não Vacila", "Meu Pirão Primeiro", "Lugar Macabro", "Piranha", "Pai Véio 171", "Candidato Caô Caô". Em 1995 gravou pela Sony "Moreira da Silva, Bezerra da Silva e Dicró: Os Três Malandros In Concert", uma paródia ao show dos três tenores, Pavarotti, Domingo e Carreras. O sambista virou livro em 1998, com "Bezerra da Silva - Produto do Morro", de Letícia Vianna. [Fonte: cliquemusic]
Was Pernambuco to Rio de Janeiro to 15 years hidden in a ship and there was working in construction. Played percussion since childhood and soon entered a carnival attraction, where one of the components led to the Radio Club of Brazil in 1950. Thereafter acted as composer, instrumentalist and singer, recording his first single and 1969 and the first LP six years later. Initially recorded coconuts without success. But from the series Party High Note 10 began to find its audience. The repertoire of his records began to be fueled by anonymous authors (some using codenames to preserve secrecy) and Bezerra was notable for "sambandido" style, the same precursor "gangsta rap" American. Before the Brazilian hip hop, he started to share the other side of the trench the undeclared civil war: "It gives a Malandragem Time", "They kidnapped my Mother in Law", "snitch Corpse", "Bicho Feroz", "Overdose of Cocada" "Trickster Not hesitates," "My First Mush", "Place Macabre", "Piranha", "Father Véio 171", "Candidate Dog". In 1995 recorded by Sony "Moreira da Silva Bezerra da Silva and Dicró: The Three Tricksters In Concert", a parody of the show Three Tenors, Pavarotti, Domingo and Carreras. The samba became a book in 1998 with "Bezerra da Silva - Product of the Hill ', the Leticia Vianna. [Source: ABM]
Was Pernambuco to Rio de Janeiro to 15 years hidden in a ship and there was working in construction. Played percussion since childhood and soon entered a carnival attraction, where one of the components led to the Radio Club of Brazil in 1950. Thereafter acted as composer, instrumentalist and singer, recording his first single and 1969 and the first LP six years later. Initially recorded coconuts without success. But from the series Party High Note 10 began to find its audience. The repertoire of his records began to be fueled by anonymous authors (some using codenames to preserve secrecy) and Bezerra was notable for "sambandido" style, the same precursor "gangsta rap" American. Before the Brazilian hip hop, he started to share the other side of the trench the undeclared civil war: "It gives a Malandragem Time", "They kidnapped my Mother in Law", "snitch Corpse", "Bicho Feroz", "Overdose of Cocada" "Trickster Not hesitates," "My First Mush", "Place Macabre", "Piranha", "Father Véio 171", "Candidate Dog". In 1995 recorded by Sony "Moreira da Silva Bezerra da Silva and Dicró: The Three Tricksters In Concert", a parody of the show Three Tenors, Pavarotti, Domingo and Carreras. The samba became a book in 1998 with "Bezerra da Silva - Product of the Hill ', the Leticia Vianna. [Source: ABM]
Total Time: 44 min
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