JAZZ
1999
Bitrate: 256 kbps
[cd quality]+
Total Time: 56 min
23 de agosto de 2023
JOÃO NETO & FREDERICO - Ao Vivo
SERTANEJO UNIVERSITÁRIO
2008
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
O pai dos irmãos goianos sempre gostou de viola e de reunir amigos para tocar e cantar em casa. Cresceram tendo a música sertaneja como referência e, é claro, sabem dar o devido valor a quem começou esta história. Por isso, selecionaram as principais músicas do nosso cancioneiro e chamaram para junto deles os grandes nomes da moda sertaneja como Tião Carreiro e Pardinho e Tonico e Tinoco dentre outros, para a dupla cantar estas canções foi sensacional. Em 2011, reuniram isso tudo e gravaram o CD e DVD Só Modão que também foi lançado agora como projeto e não trabalho de carreira, tem como convidados como João Carreiro e Capataz, Eduardo Costa, Fernando e Sorocaba e Gil (pai da dupla) que toparam a empreitada e dividiram o palco com João Neto e Frederico. Com estes dois trabalhos no mercado, João Neto e Frederico poderam afirmar que amadureceram. A apresentação ao público pode-se dizer que aconteceu há sete anos com “Pega Fogo Cabaré”, uma música que representa como nenhuma outra o sertanejo universitário, justamente com esta canção e outras duas que foram grandes sucessos, “Pura Magia” e “Só de Você”. Mesmo tão novos e ainda com toda estrada pela frente, podemos dizer que o veterinário João Neto e o engenheiro agrônomo Frederico não podem se arrepender de ter trocado suas profissões pela música porque com certeza já construíram uma história de sucesso. [Fonte:siteoficial]
The father of Goiás brothers always liked viola and friends gather to play and sing at home. Grew with the country music as a reference and, of course, know how to give due weight to those who started this story. Therefore, the main selected songs from our repertoire and called them together for the big names of country fashion as Tiao Carreiro and Pardinho and Tonic and Tinoco among others, for the dual singing these songs was phenomenal. In 2011, it all gathered and recorded the CD and DVD Only Modao which has now also been released as a project and not working career, is invited as Carreiro and John Foreman, Eduardo Costa, Fernando e Sorocaba and Gil (father of twin) stumbled into the venture and shared the stage with João Neto Frederico. With these two works in the market, João Neto Frederico, can they say that matured. The presentation to the public can say what happened seven years ago with "Cabaret Catch Fire", a song that is like no other university backcountry precisely with this song and two others that were big hits, "Pure Magic" and "Only of You. "Even as new and with all the road ahead, we can say that the veterinary Neto and João Frederico agronomist may not regret having exchanged their professions because the music has surely built a success story. [Source: siteoficial]
The father of Goiás brothers always liked viola and friends gather to play and sing at home. Grew with the country music as a reference and, of course, know how to give due weight to those who started this story. Therefore, the main selected songs from our repertoire and called them together for the big names of country fashion as Tiao Carreiro and Pardinho and Tonic and Tinoco among others, for the dual singing these songs was phenomenal. In 2011, it all gathered and recorded the CD and DVD Only Modao which has now also been released as a project and not working career, is invited as Carreiro and John Foreman, Eduardo Costa, Fernando e Sorocaba and Gil (father of twin) stumbled into the venture and shared the stage with João Neto Frederico. With these two works in the market, João Neto Frederico, can they say that matured. The presentation to the public can say what happened seven years ago with "Cabaret Catch Fire", a song that is like no other university backcountry precisely with this song and two others that were big hits, "Pure Magic" and "Only of You. "Even as new and with all the road ahead, we can say that the veterinary Neto and João Frederico agronomist may not regret having exchanged their professions because the music has surely built a success story. [Source: siteoficial]
Total Time: 45 min
22 de agosto de 2023
MINGO SANTANA - Na Multidão
MPB
[Música Popular Brasileira]
[Música Popular Brasileira]
2002
Bitrate: 256 kbps
[cd quality]+
Total Time: 44 min
DYLAN DOYLE BAND - Heartbroken 'N Crazy
BLUES
2015
Bitrate: 256 kbps
[cd quality]+
Total Time: 56 min
BLESSID UNION OF SOULS - Blessid Union Of Souls
HIP HOP
1997
Bitrate: 256 kbps
[cd quality]+
21 de agosto de 2023
CODÓ - Coisas da Minha Terra
MPB
(Música Popular Brasileira)
1978
Bitrate 256 kbps
[Cd Quality]+
Bitrate 256 kbps
[Cd Quality]+
Baiano da cidadezinha da Cairu de Salinas das Margaridas, aprendeu a tocar violão pelo método prático de Canhoto, ainda na infância, e começou a compor nos anos 30. Por toda a vida usou o primeiro violão que ganhou do pai, aos 9 anos. Antes de decidir-se pela música, foi pescador, lavrador e comerciante. Como violonista, tornou-se conhecido no interior do estado e em 1938 foi para Salvador, onde já desfrutava de alguma fama. Lá, trabalhou no rádio, acompanhando grandes estrelas como Silvio Caldas, Nora Ney e Dircinha Batista quando iam à Bahia. Sua primeira música gravada foi "Iaiá da Bahia", por Araci Costa em 1951. Na década de 60 mudou-se para o Rio de Janeiro. O primeiro dos seis LPs que gravou é de 1963, com músicas cantadas e instrumentais, incluindo solos de violão e acompanhamentos de conjunto regional. Outras composições de sua autoria que se tornaram conhecidas foram "Zum Zum", na voz de Vanja Orico, "Taiti", na interpretação de Rosinha de Valença, e "Tin-don-don" (parceria com João Melo), gravada por Jorge Ben em 1964 com sucesso, e regravada dois anos depois por Sergio Mendes. Codó foi também compositor de choros, como "Bole-bole", "Quadradinho" e "Boladinho". Bastante respeitado no meio artístico, foi homenageado por Baden Powell na música "Um Abraço no Codó". [Fonte: cliquemusic]
The Bahian town of Salinas Cairu of Daisies, learned to play guitar by practical method of Lefty, even in childhood, and began composing in the 30s throughout my life used the first guitar that his father gave him, at age 9. Before deciding if the music was a fisherman, a farmer and merchant. As a guitarist, became known in the state and in 1938 went to Salvador, which already enjoyed some fame. There, he worked in radio, watching big stars like Silvio Caldas, Nora Ney and Dircinha when Batista went to Bahia. His first recorded song was "Missy da Bahia" by Araci Coast in 1951 In the 60s he moved to Rio de Janeiro. The first of the six LPs recorded is 1963, with sung and instrumental music, including guitar solos and accompaniments regional assembly. Other compositions of his own that became known were "Zum Zum", voiced by Vanja Orico, "Tahiti", the interpretation of Rosie of Valenca, and "Tin-don-don" (partnership with John Melo), engraved by Jorge Ben successfully in 1964, and two years later re-recorded by Sergio Mendes. Codo was also a composer of cries such as "Bole-bole", "SQUARE" and "boladinho". Well respected in the art world, was honored by Baden Powell in the song "Hug A in Codo". [Source: ABM]
The Bahian town of Salinas Cairu of Daisies, learned to play guitar by practical method of Lefty, even in childhood, and began composing in the 30s throughout my life used the first guitar that his father gave him, at age 9. Before deciding if the music was a fisherman, a farmer and merchant. As a guitarist, became known in the state and in 1938 went to Salvador, which already enjoyed some fame. There, he worked in radio, watching big stars like Silvio Caldas, Nora Ney and Dircinha when Batista went to Bahia. His first recorded song was "Missy da Bahia" by Araci Coast in 1951 In the 60s he moved to Rio de Janeiro. The first of the six LPs recorded is 1963, with sung and instrumental music, including guitar solos and accompaniments regional assembly. Other compositions of his own that became known were "Zum Zum", voiced by Vanja Orico, "Tahiti", the interpretation of Rosie of Valenca, and "Tin-don-don" (partnership with John Melo), engraved by Jorge Ben successfully in 1964, and two years later re-recorded by Sergio Mendes. Codo was also a composer of cries such as "Bole-bole", "SQUARE" and "boladinho". Well respected in the art world, was honored by Baden Powell in the song "Hug A in Codo". [Source: ABM]
Total Time: 38 min
20 de agosto de 2023
ALANIS MORISSETTE - Supposed Former Infatuation Junkie
ALTERNATIVE ROCK
1998
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Total Time: 62 min
ADEMIR CÂNDIDO - Brazilian Jazz
JAZZ
1993
Bitrate 320 kbps
[cd quality]+
Bitrate 320 kbps
[cd quality]+
O gaúcho Ademir Cândido, 48 anos, ouviu choro e senenata desde menino, com o pai que tocava acordeão e saxofone. O roque, a bossa nova, o jazz e outros gêneros passaram por ele até chegar ao chorinho. Mas era tempo de ascensão do roque e o garoto Ademir gostava de percussão. Ouvia músicas no rádio e acompanhava batucando no bujão de gás e, no calcanhar, o som do bumbo no assoalho da cozinha. Com 14 anos aprendeu meia dúzia de acordes na guitarra e começou a tocar. Em quatro anos, evoluiu o suficiente para que Porto Alegre ficasse pequena demais. "Com 18 anos, criei coragem e fui para São Paulo porque queria aprender mais", relembra o músico. Na capital paulista, Ademir foi tocar na noite, numa boate na Liberdade. Quatro anos depois, o músico gaúcho foi para o Rio a convite de Nenê, que havia tocado com Elis Regina e tocava com Hermeto Pascoal. Através dele, foi conhecendo outros músicos famosos como os bateristas Robertinho Silva e Paulinho Braga, Novelli, Filó Machado e muitos outros. "Meu primeiro concerto instrumental foi com Nivaldo Ornelas, no Rio, e isso foi abrindo espaço pra mim". Seguiram-se temporadas em que acompanhou e fez arranjos para Fafá de Belém e Leny Andrade. Entre temporadas no Rio e em São Paulo, Ademir Cândido continuou a compor e fazer arranjos, sempre tendo a guitarra como instrumento principal e já com influência de bossa nova, jazz etc. Ele conhecia um grupo que tocava na Espanha e que veio para a Suíça. Convidaram Ademir e ele passou dois anos e meio tocando com eles na Suíça. Voltou para o Rio para gravar seu primeiro disco (Ademir Cândido Brazilian Jazz, em 1993), com convidados especiais conhecidos como Robertinho Silva, Luiz Alves, Luisão Maia e Mauro Senise, entre outros. Compondo e fazendo arranjos, Ademir Cândido tem três trabalhos distintos. Um com o grupo Samambaia em que o propósito é tocar música dançante mas também para ouvir, com arranjos originais. Em paralelo tem o quarteto com o baterista cubano Julio Barreto (dois cubanos e dois brasileiros), tocando música cubana, brasileira e africana com linguagem jazzística e um disco gravado. Tem ainda o quarteto ou quinteto Choro Alegre. "Tenho o maior respeito pela tradição e acho que as raizes precisam ser preservadas. Isso não quer dizer que a gente vai regravar sempre os mesmos autores. Toda arte pode e deve evoluir e o choro também. Meu trabalho é uma mistura do tradicional com coisas mais modernas mas sem perder a essência", conclui Ademir Cândido. [Fonte: swissinfo]
The gaucho Ademir Candido, 48, heard weeping and senenata since childhood, with a father who played the accordion and saxophone. The rock, bossa nova, jazz and other genres have gone through it to reach the choro. But it was time to climb the rock and the boy liked Ademir percussion. Listened to songs on the radio and drumming accompanied the gas cylinder and the heel, the sound of the bass drum on the kitchen floor. 14 years learned a handful of chords on the guitar and started playing. In four years it has evolved enough that Porto Alegre became too small. "At 18, I plucked up courage and went to Sao Paulo because I wanted to learn," recalls the musician. In São Paulo, Ademir was playing at night, at a club in Liberty. Four years later, the gaucho musician was invited to the River Nene, who had played with Elis Regina and played with Hermeto Pascoal. Through him, was meeting other famous musicians like drummers Robby Silva and Paulinho Braga, Novelli, Filo Machado and many others. "My first concert was instrumental with Nivaldo Ornelas, in Rio, and it was making room for me." Followed seasons that followed and made arrangements for Fafa de Belem and Leny Andrade. Between seasons in Rio and Sao Paulo, Ademir Candido continued to compose and make arrangements, always taking the guitar as the main instrument and has influenced bossa nova, jazz etc.. He knew a group that played in Spain and came to Switzerland. Ademir invited and he spent two and a half playing with them in Switzerland years. He returned to Rio to record their first album (Ademir Candido Brazilian Jazz, 1993), with special guests known as Robby Silva, Luiz Alves, Luisão Maia and Mauro Senise, among others. Composing and arranging, Ademir Candido has three distinct works. With one group Fern in which the purpose is to tap dance but also to listen to music with original arrangements. In parallel has the quartet with Cuban drummer Julio Barreto (two Cuban and two Brazilians) playing Cuban, Brazilian and African music with jazz language and a recorded disc. Still has the quartet or quintet Choro Alegre. "I have the utmost respect for tradition and I think the roots need to be preserved. This does not mean that we will always rewrite the same authors. All art can and should evolve and crying too. My work is a mix of the traditional and more things modern without losing the essence, "concludes Ademir Candido. [Source: swissinfo]
The gaucho Ademir Candido, 48, heard weeping and senenata since childhood, with a father who played the accordion and saxophone. The rock, bossa nova, jazz and other genres have gone through it to reach the choro. But it was time to climb the rock and the boy liked Ademir percussion. Listened to songs on the radio and drumming accompanied the gas cylinder and the heel, the sound of the bass drum on the kitchen floor. 14 years learned a handful of chords on the guitar and started playing. In four years it has evolved enough that Porto Alegre became too small. "At 18, I plucked up courage and went to Sao Paulo because I wanted to learn," recalls the musician. In São Paulo, Ademir was playing at night, at a club in Liberty. Four years later, the gaucho musician was invited to the River Nene, who had played with Elis Regina and played with Hermeto Pascoal. Through him, was meeting other famous musicians like drummers Robby Silva and Paulinho Braga, Novelli, Filo Machado and many others. "My first concert was instrumental with Nivaldo Ornelas, in Rio, and it was making room for me." Followed seasons that followed and made arrangements for Fafa de Belem and Leny Andrade. Between seasons in Rio and Sao Paulo, Ademir Candido continued to compose and make arrangements, always taking the guitar as the main instrument and has influenced bossa nova, jazz etc.. He knew a group that played in Spain and came to Switzerland. Ademir invited and he spent two and a half playing with them in Switzerland years. He returned to Rio to record their first album (Ademir Candido Brazilian Jazz, 1993), with special guests known as Robby Silva, Luiz Alves, Luisão Maia and Mauro Senise, among others. Composing and arranging, Ademir Candido has three distinct works. With one group Fern in which the purpose is to tap dance but also to listen to music with original arrangements. In parallel has the quartet with Cuban drummer Julio Barreto (two Cuban and two Brazilians) playing Cuban, Brazilian and African music with jazz language and a recorded disc. Still has the quartet or quintet Choro Alegre. "I have the utmost respect for tradition and I think the roots need to be preserved. This does not mean that we will always rewrite the same authors. All art can and should evolve and crying too. My work is a mix of the traditional and more things modern without losing the essence, "concludes Ademir Candido. [Source: swissinfo]
Total Time: 48 min
AGENT ORANGE - This Is The Voice
1986
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Influência para bandas de vários estilos, do metal ao surf rock, passando, obviamente, pelo punk rock, o Agent Orange foi formado em Fullerton, na Califórnia, no final dos anos 1970 por Mike Palm, vocalista e guitarrista, James Levesque, baixista, e Scott Miller, bateria. O primeiro álbum da banda, chamado Living in Darkness, foi lançado em 1981 pela Poshboy Records. A banda, então, foi aceita pela comunidade hardcore do sudeste da Califórnia, semeando a reputação do grupo como uma das melhores bandas de skate punk da região. Dois EPs foram lançados nos anos seguintes, até que em 1986 o Agent Orange colocasse seu segundo álbum cheio, This Is The Voice, no mercado. O disco trazia uma banda mais preocupada nas melodias e com ênfase nos vocais, mas isso não bastou para a banda se manter firme e trabalhando. Em 2003, o Agent Orange lançou Sonic Snake Session, uma coletânea lançada em dois discos que mostrava a trajetória do grupo. O Agent Orange tem tido enorme influência no cenário skate punk mesmo que tenham declarado no álbum Living in Darkness que "De qualquer maneira, não gostamos de skate". [Fonte: lastfm]
Influence to bands of various styles, from metal to surf rock , passing obviously by punk rock, Agent Orange formed in Fullerton, California in the late 1970s by Mike Palm , vocalist and guitarist , James Levesque , bass , and Scott Miller , drums . The band's first album , called Living in Darkness , was released in 1981 by poshboy Records . The band was then accepted by the community of southern California hardcore , sowing the reputation of the group as one of the best skate punk bands in the region . Two EPs were released in the following years , until in 1986 the Agent Orange put their second full album , This Is The Voice in the market. The album featured a more focused emphasis on melodies and vocals band, but it was not enough to keep the band tight and working . In 2003 , the Agent Orange launched Sonic Snake Session , a compilation released on two discs showing the trajectory of the group . The Agent Orange has had enormous influence on the skate punk scene even if they have declared the album Living in Darkness that " Anyway , do not like to skate ." [ Source : lastfm ]
Influence to bands of various styles, from metal to surf rock , passing obviously by punk rock, Agent Orange formed in Fullerton, California in the late 1970s by Mike Palm , vocalist and guitarist , James Levesque , bass , and Scott Miller , drums . The band's first album , called Living in Darkness , was released in 1981 by poshboy Records . The band was then accepted by the community of southern California hardcore , sowing the reputation of the group as one of the best skate punk bands in the region . Two EPs were released in the following years , until in 1986 the Agent Orange put their second full album , This Is The Voice in the market. The album featured a more focused emphasis on melodies and vocals band, but it was not enough to keep the band tight and working . In 2003 , the Agent Orange launched Sonic Snake Session , a compilation released on two discs showing the trajectory of the group . The Agent Orange has had enormous influence on the skate punk scene even if they have declared the album Living in Darkness that " Anyway , do not like to skate ." [ Source : lastfm ]
Total Time: 35 min
ARNALDO BAPTISTA - Singin' Alone [Recomendado]
ROCK
1996
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Pianista de formação clássica, baixista e compositor, foi fundador do grupo Os Mutantes, formado em São Paulo em 1966, originalmente com Rita Lee e Sergio Dias, e que definiu rumos para o rock e a música pop brasileira. Arnaldo, um dos "malditos" da cultura brasileira, é considerado uma figura de transição entre o tropicalismo dos anos 70 e o rock brasileiro dos 80. Já foi internado em sanatórios e tentou o suicídio. Virou tema de vídeo e livro. Em 1974 lançou um disco solo, "Loki?", e três anos depois montou a banda Patrulha do Espaço, que lançou discos nos anos 80. A partir de meados da década de 80 passa a se dedicar também à literatura e à pintura, até que em 1995 assina contrato com a gravadora Virgin Brasil, que lança "Singin' Alone". [Creditos: cliquemusic]
Classically trained pianist, bassist and composer, was the founder of the group Os Mutantes formed in São Paulo in 1966, originally with Rita Lee and Sergio Dias, and set directions for rock and Brazilian pop music. Arnold, one of the "cursed" of Brazilian culture, is considered a transitional figure between the tropicalism 70s and 80s Brazilian rock. Already been admitted to sanatoriums and attempted suicide. Turned theme video and book. In 1974 launched a "Loki?" Solo album, and three years later built the Space Patrol, which released albums in the '80s. From the mid-80 is also dedicated to literature and painting, until which in 1995 signed a contract with record label Virgin Brazil, which launches "Singin 'Alone'. [Credits: ABM]
Total Time: 46 min
19 de agosto de 2023
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