20 de janeiro de 2020
BILL BRUFORD - Master Strokes (1978-1985) [Recomendado]
Rock Progressivo
(Instrumental)
(Instrumental)
1986
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
William Scott "Bill" Bruford foi baterista do Yes, King Crimson, UK e Genesis, entre outros conjuntos de rock progressivo. Bill Bruford trouxe para o rock novos rudimentos, técnicas orquestrais e de jazz. Bruford foi um dos criadores do rock progressivo. Segundo a Digital Dream Door, Bruford é o sétimo maior baterista de rock de todos os tempos. [Creditos: wikipedia]
William Scott "Bill" Bruford was the drummer of Yes, King Crimson, Genesis and UK, among other sets of progressive rock. Bill Bruford brought new rudiments to rock, orchestral and jazz techniques. Bruford was one of the creators of progressive rock. According to Digital Dream Door, Bruford is the seventh largest rock drummer of all time. [Credits: wikipedia]
Total Time: 62 min
BIG YOUTH - Dread Locks Dread
Reggae
1983
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Big Youth, nome artístico de Manley Augustus Buchanan , é um deejay de reggae, notório pelos seus trabalho na década de 1970. Antes de entrar para carreira musical, foi mecânico especializado em veículo diesel no Kingston's Sheraton Hotel, quando desenvolveu seus primeiros hits enquanto trabalhava, e foi cunhado o apelido de "Big Youth" por seus companheiros de trabalho. Início sua performance com danças, inicialmente influenciado por U-Roy, onde teve contato com sistema de som em 1970, como DJ residente, atraiu atenção de produtores musicais de Kingston . Suas primeiras canções foram com parcerias de Jimmy Radway ("The Best Big Youth"), Lee Perry ("Moving Version") e Phil Pratt ("Tell It Black"), não obtendo independencia artística e financeira. [Fonte: wikipedia]
Big Youth, stage name Manley Augustus Buchanan, is a deejay reggae, notorious for his work in the 1970s. Prior to joining musical career, was mechanic specializing in diesel vehicle in Kingston's Sheraton Hotel, when he developed his early hits while working , and was coined the nickname "Big Youth" by his colleagues. Beginning his performance with dances, initially influenced by U-Roy, where he had contact with the sound system in 1970 as resident DJ, attracted the attention of music producers from Kingston. His first songs were partnerships with Jimmy Radway ("The Best Big Youth"), Lee Perry ("Moving Version") and Phil Pratt ("Tell It Black"), not getting artistic and financial independence. [Source: wikipedia]
Big Youth, stage name Manley Augustus Buchanan, is a deejay reggae, notorious for his work in the 1970s. Prior to joining musical career, was mechanic specializing in diesel vehicle in Kingston's Sheraton Hotel, when he developed his early hits while working , and was coined the nickname "Big Youth" by his colleagues. Beginning his performance with dances, initially influenced by U-Roy, where he had contact with the sound system in 1970 as resident DJ, attracted the attention of music producers from Kingston. His first songs were partnerships with Jimmy Radway ("The Best Big Youth"), Lee Perry ("Moving Version") and Phil Pratt ("Tell It Black"), not getting artistic and financial independence. [Source: wikipedia]
Total Time: 34 min
BIG LEON BROOKS - Let's Go To Town [Recomendado]
Electric Blues
1983
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Leon Brooks foi influenciado muito pouco pelos funk, blues-driven guitarra dos anos 60 e 70. Leon foi rápido em apontar que havia melhores músicos da harmônica anos atrás. "Tivemos muito poucos jogadores da harmônica de volta, então, que eram bastante muito bom .... eles tinham mais peso, mais de tom. Você tem que realmente explodir de dentro; você tem que ter esse sentimento para a música, música dos azuis. Este é algo que você não encontrará muitos tocadores de harpa com hoje". "The Big Man", como ele foi apropriadamente chamado ao redor de sua casa (muitas vezes ele usava camisas com "Big" bordado no bolso em vez de seu nome), começou a tocar harpa quando ele tinha seis anos de idade. Crescendo em Sunflower, Mississippi, ele teve a oportunidade de aprender com os mestres: Sonny Boy Williamson (Rice Miller), Elmore James, Boyd Gilmore e Charlie Booker. "Eu fui criado em torno desses caras", lembrou ele, "mas eu realmente aprendi muito com o rádio, também." Mudando-se para Chicago no início dos anos 1940, Leon começou a brincar com "crianças do bairro, na rua e para baixo em Jewtown" (o mercado ao ar livre Maxwell Street). Lá ele conheceu seu futuro mentor, Little Walter Jacobs. "Comecei no estilo de Rice Miller, mas Little Walter era realmente o meu ídolo na gaita, e eu segui-lo em torno de um lote. Ele foi meu treinador. " Ainda adolescente, Leon começou a escorregar para os clubes de blues, pendurado em torno principalmente no The Zanzibar, onde se sentou com a banda Muddy Waters. Durante o início dos anos 50, ele tocou com Freddie King e Jimmy Lee Robinson, antes de formar sua primeira banda com o guitarrista Charles Pearson em 1953. Ele manteve bandas juntos de vez em quando e trabalhou como sideman com Willie Johnson, Kansas City Red, Floyd Jones, Otis Rush e Robert Nighthawk ao longo dos anos 50. Em seguida, no início dos anos 60, se desencanta com o som mais dominado pela guitarra de blues moderno. O guitarrista Paul Cooper trouxe Leon para o Lado Norte, e em 1977 o harpista começou um show de domingo à noite em Kingston Mines, que durou quase um ano. Em seguida, Leon voltou para o lado oeste, trabalhando com Cauda Dragger, Eddie Taylor e James Scott em Maria, The Golden Slipper e The Show & Tell. Ele estava de volta no lado norte com Scott na Broadway Night Club, antes de ser hospitalizado em novembro de 1979 com um problema cardíaco. Leon morreu em 1982, com a idade de 49, ainda conhecido apenas por um pequeno número de fãs de blues que amam o som do clássico, 1950's de estilo blues de Chicago. [Fonte: alligatorrecords]
Leon Brooks was influenced very little by funk, blues-driven guitar 60s and 70s Leon was quick to point out that there were better musicians harmonica years ago. "We had very few harmonica players back then, they were very good .... they had more weight, more tone You have to really explode from within;. You have to have that feeling for music, music of the blue. This is something you will not find many harp players with today. " "The Big Man", as he was aptly named around his house (he often wore shirts with "Big" embroidered on the pocket instead of his name), started playing harp when he was six years old. Growing up in Sunflower, Mississippi, he had the opportunity to learn from the masters: Sonny Boy Williamson (Rice Miller), Elmore James, Boyd Gilmore and Charlie Booker. "I grew up around these guys," he recalled, "but I really learned a lot from the radio, too." Moving to Chicago in the early 1940s, Leon started playing with "children of the neighborhood, on the street and down Jewtown" (the outdoor market Maxwell Street). There he met his future mentor, Little Walter Jacobs. "I started in the style of Rice Miller, but Little Walter was really my idol on harmonica, and I followed it around a lot. He was my coach." As a teenager, Leon began to slip into the blues clubs, hanging around especially at The Zanzibar, where he sat with the band Muddy Waters. During the early '50s, he played with Freddie King and Jimmy Lee Robinson, before forming his first band with guitarist Charles Pearson in 1953. He kept bands together at times and worked as a sideman with Willie Johnson, Kansas City Red Floyd Jones, Otis Rush and Robert Nighthawk over the years 50. Then, in the early 60s, disenchanted with the sound dominated by the modern blues guitar. Guitarist Paul Cooper brought Leon to the North Side, and in 1977 Harper began a Sunday evening show in Kingston Mines, which lasted almost a year. Then Leon returned to the west side, working with Tail Dragger, Eddie Taylor and James Scott in Mary, The Golden Slipper and The Show & Tell. He was back on the north side with Scott on Broadway Night Club before being hospitalized in November 1979 with a heart condition. Leon died in 1982 at the age of 49, still known only to a small number of blues fans who love the sound of classic, 1950's of Chicago blues style. [Source: alligatorrecords]
Total Time: 54 min
BETO GUEDES - Contos da Lua Vaga
MPB
[Brazilian Popular Music]
1981
Bitrate: 256 kbps
[cd quality]+
Total Time: 36 min
BENEDITO COSTA - Delicado [Recomendado]
Instrumental
2008
Bitrate 256 kbps
[cd quality]
Bitrate 256 kbps
[cd quality]
Confesso que eu mesmo nunca tinha ouvido de um disco deste solista de cavaquinho. Embora pouco citado, Benedito Costa é considerado um dos grandes nomes do Choro. Segundo pesquisas realizadas, não existem muitas informações sobre ele. Sabe-se que era um maestro, compositor, arranjador e produtor paulista, da região de Ribeirão Preto. Tocou ao lado dos maiores chorões, participando de diversos discos, gravações e apresentações ao vivo. Segundo contam, foi ele o criador do cavaquinho de cinco cordas, sendo considerado um virtuoso deste instrumento. O disco Delicado, foi gravado e lançado originalmente em 1968. Em 1983, o mercado para o Choro estava em alta e ele foi novamente relançado. O repertório vem com alguns clássicos ao lado de composições próprias da melhor qualidade. Destaque também para as versões instrumentais de “Quem te viu e quem te vê” de Chico Buarque e “Ponteio” de Edu Lobo. Benedito Costa e simplesmente, genial. [Creditos: toquemusical]
I confess that I myself had never heard such a disc of solo ukulele. Although little mention, Benedito Costa is considered one of the greats of Choro. According to research carried out, there is not much information about it. It is known that he was a conductor, composer, arranger and producer from São Paulo, Ribeirão Preto region. Played alongside the biggest whiners to, participating in various albums, recordings and live performances. According to some accounts, he was the creator of the five-string ukulele, being considered a virtuoso of this instrument. The Delicate disc was recorded and originally released in 1968. In 1983, the market for Choro was high and he was again revived. The repertoire comes with some classics alongside his own compositions to the best quality. Also highlighting the instrumental versions of "Who saw you and who sees you" and Chico Buarque "Ponteio" Edu Lobo. Benedito Costa and simply brilliant. [Credits: toquemusical]
Total Time: 30 min
BEN HARPER - Fight For Your Mind
Alternative Rock
1995
Bitrate 256 kbps
[cd quality]
Bitrate 256 kbps
[cd quality]
Nascido na Califórnia, Ben Harper cresceu ouvindo blues, folk, soul, r&b e reggae. Aprendeu a tocar guitarra ainda criança e montou diversas bandas em sua adolescência, sempre influenciado por nomes como: Blues Traveler, Hootie & the Blowfish e Phish. Sua carreira profissional como artista solo começou em 1993 com “Welcome To The Cruel World”. Sempre seguindo um intervalo de dois anos, foram lançados “Fight For Your Mind” (1995), “The Will To Live” (1997) e “Burn To Shine” (1999). Em 2004 o californiano estava de volta com um novo trabalho “There Will be a light”. O disco que reúne 11 faixas conta com a participação do grupo gospel Blind Boys of Alabama, que deu ao álbum uma nova roupagem e trouxe elementos da música country, gospel e da soul music. Ben Harper lançou trabalhos que lhe deram o ‘status’ de um dos artistas mais importantes da atualidade. Além de sua música, a aparência e a atitude do músico impressionavam a todos, principalmente em suas performances ao vivo, que não são poucas, já que ele faz em média 150 shows por ano. Foi em função de toda essa consagração que o cantor conquistou ao lado do grupo The Blind Boys of Alabama, o Grammy de melhor álbum de Soul Gospel pelo disco “There Will Be a Light”. Em agosto de 2007: Ben Harper lança o álbum “Lifeline”, centrado no soul acústico americano, respeitando as tradicionais raízes do género. O processo de criação de “Lifeline” começou após o fim da tour de “Both Sides of the Gun”, em meados de Novembro do ano passado. Ben Harper e os, The Innocent Criminals, ficaram concentrados num estúdio de Paris para gravar e mixar o álbum, o que ocorreu em apenas uma semana. O resultado é um disco em que “não há uma só nota que possa ser eliminada ou uma batida de bateria que sobre ou falte”, afirma o músico. [Fonte: myspace]
Born in California, Ben Harper grew up listening to blues, folk, soul, r & b and reggae. He learned to play guitar as a child and rode several bands in his teens, always influenced by names such as Blues Traveler, Hootie & the Blowfish, and Phish. His professional career began as a solo artist in 1993 with "Welcome To The Cruel World". Always following an interval of two years, were released "Fight For Your Mind" (1995), "The Will To Live" (1997) and "Burn To Shine" (1999). In 2004 the Californian was back with a new work "There Will be a Light." The disc gathers 11 tracks with the participation of the gospel group Blind Boys of Alabama, who gave the album a new guise and brought elements of country music, gospel and soul music. Ben Harper started work that gave the 'status' of one of the most important artists of today. In addition to his music, appearance and attitude impressed the musician everyone, especially in their live performances, which are many, as he does on average 150 shows per year. It was all because of this dedication that has earned the singer beside the group The Blind Boys of Alabama at the Grammy for Best Soul Gospel album by album "There Will Be a Light". In August 2007: Ben Harper released the album "Lifeline", centered on the American acoustic soul, respecting the traditional roots of the genre. The process of creating "Lifeline" began after the end of the tour of "Both Sides of the Gun", in mid-November last year. And Ben Harper, The Innocent Criminals, were concentrated in a Paris studio to record and mix the album, which took place in just one week. The result is an album where "there is not a single note that can be eliminated or drum beat or miss on that," says the musician. [Source: myspace]
Born in California, Ben Harper grew up listening to blues, folk, soul, r & b and reggae. He learned to play guitar as a child and rode several bands in his teens, always influenced by names such as Blues Traveler, Hootie & the Blowfish, and Phish. His professional career began as a solo artist in 1993 with "Welcome To The Cruel World". Always following an interval of two years, were released "Fight For Your Mind" (1995), "The Will To Live" (1997) and "Burn To Shine" (1999). In 2004 the Californian was back with a new work "There Will be a Light." The disc gathers 11 tracks with the participation of the gospel group Blind Boys of Alabama, who gave the album a new guise and brought elements of country music, gospel and soul music. Ben Harper started work that gave the 'status' of one of the most important artists of today. In addition to his music, appearance and attitude impressed the musician everyone, especially in their live performances, which are many, as he does on average 150 shows per year. It was all because of this dedication that has earned the singer beside the group The Blind Boys of Alabama at the Grammy for Best Soul Gospel album by album "There Will Be a Light". In August 2007: Ben Harper released the album "Lifeline", centered on the American acoustic soul, respecting the traditional roots of the genre. The process of creating "Lifeline" began after the end of the tour of "Both Sides of the Gun", in mid-November last year. And Ben Harper, The Innocent Criminals, were concentrated in a Paris studio to record and mix the album, which took place in just one week. The result is an album where "there is not a single note that can be eliminated or drum beat or miss on that," says the musician. [Source: myspace]
Total Time: 68 min
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