JAZZ
2013
Bitrate: 256 kbps
[cd quality]+
Total Time: 68 min
24 de agosto de 2023
23 de agosto de 2023
ROBERT JOHNSON - Martin Scorsese Presents The Blues
BLUES
2003
Bitrate: 256 kbps
[cd quality]+
Johnson nasceu em Hazlehurst, Mississippi, mas sua data de nascimento oficialmente aceita, provavelmente está errada. Registros existentes (documentos escolares, certidões de casamento e certidão de óbito) sugerem diferentes datas, entre 1909 e 1912, embora nenhum contenha a data de 1911. Robert Johnson gravou apenas 29 músicas em um total de 40 faixas, em duas sessões de gravação em San Antonio, Texas, em Novembro de 1936 e em Dallas, Texas, em Junho de 1937. Treze músicas foram gravadas 2 vezes e suas músicas continuam sendo interpretadas e adaptadas por diversos artistas e bandas, como Led Zeppelin, Eric Clapton, The Rolling Stones, The Blues Brothers, Red Hot Chili Peppers e The White Stripes. Apesar do seu estilo, muito peculiar do Delta Blues e o padrão técnico das gravações de sua época muito distantes dos padrões estéticos e técnicos de hoje, Robert Johnson é frequentemente citado como "o maior cantor de blues de todos os tempos", e até mesmo como o mais importante músico do Século XX. [Fonte: wikipedia]
Johnson was born in Hazlehurst, Mississippi, but his birthdate officially accepted, is probably wrong. existing records (school documents, marriage certificates and death certificates) suggest different dates between 1909 and 1912, although none bearing the date 1911. Robert Johnson recorded only 29 songs in a total of 40 tracks in two recording sessions San Antonio, Texas, in November 1936 and in Dallas, Texas, in June 1937. Thirteen songs were recorded and 2 times their songs are still interpreted and adapted by various artists and bands such as Led Zeppelin, Eric Clapton, the Rolling Stones , The Blues Brothers, Red Hot Chili Peppers and The White Stripes. Despite its style, very peculiar Delta Blues and the technical standard of the very distant from his time recordings of aesthetic standards and today's technical, Robert Johnson is often cited as "the greatest blues singer of all time," and even as the most important musician of the twentieth century. [Source: Wikipedia]
Total Time: 43 min
JOÃO NETO & FREDERICO - Ao Vivo
SERTANEJO UNIVERSITÁRIO
2008
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
O pai dos irmãos goianos sempre gostou de viola e de reunir amigos para tocar e cantar em casa. Cresceram tendo a música sertaneja como referência e, é claro, sabem dar o devido valor a quem começou esta história. Por isso, selecionaram as principais músicas do nosso cancioneiro e chamaram para junto deles os grandes nomes da moda sertaneja como Tião Carreiro e Pardinho e Tonico e Tinoco dentre outros, para a dupla cantar estas canções foi sensacional. Em 2011, reuniram isso tudo e gravaram o CD e DVD Só Modão que também foi lançado agora como projeto e não trabalho de carreira, tem como convidados como João Carreiro e Capataz, Eduardo Costa, Fernando e Sorocaba e Gil (pai da dupla) que toparam a empreitada e dividiram o palco com João Neto e Frederico. Com estes dois trabalhos no mercado, João Neto e Frederico poderam afirmar que amadureceram. A apresentação ao público pode-se dizer que aconteceu há sete anos com “Pega Fogo Cabaré”, uma música que representa como nenhuma outra o sertanejo universitário, justamente com esta canção e outras duas que foram grandes sucessos, “Pura Magia” e “Só de Você”. Mesmo tão novos e ainda com toda estrada pela frente, podemos dizer que o veterinário João Neto e o engenheiro agrônomo Frederico não podem se arrepender de ter trocado suas profissões pela música porque com certeza já construíram uma história de sucesso. [Fonte:siteoficial]
The father of Goiás brothers always liked viola and friends gather to play and sing at home. Grew with the country music as a reference and, of course, know how to give due weight to those who started this story. Therefore, the main selected songs from our repertoire and called them together for the big names of country fashion as Tiao Carreiro and Pardinho and Tonic and Tinoco among others, for the dual singing these songs was phenomenal. In 2011, it all gathered and recorded the CD and DVD Only Modao which has now also been released as a project and not working career, is invited as Carreiro and John Foreman, Eduardo Costa, Fernando e Sorocaba and Gil (father of twin) stumbled into the venture and shared the stage with João Neto Frederico. With these two works in the market, João Neto Frederico, can they say that matured. The presentation to the public can say what happened seven years ago with "Cabaret Catch Fire", a song that is like no other university backcountry precisely with this song and two others that were big hits, "Pure Magic" and "Only of You. "Even as new and with all the road ahead, we can say that the veterinary Neto and João Frederico agronomist may not regret having exchanged their professions because the music has surely built a success story. [Source: siteoficial]
The father of Goiás brothers always liked viola and friends gather to play and sing at home. Grew with the country music as a reference and, of course, know how to give due weight to those who started this story. Therefore, the main selected songs from our repertoire and called them together for the big names of country fashion as Tiao Carreiro and Pardinho and Tonic and Tinoco among others, for the dual singing these songs was phenomenal. In 2011, it all gathered and recorded the CD and DVD Only Modao which has now also been released as a project and not working career, is invited as Carreiro and John Foreman, Eduardo Costa, Fernando e Sorocaba and Gil (father of twin) stumbled into the venture and shared the stage with João Neto Frederico. With these two works in the market, João Neto Frederico, can they say that matured. The presentation to the public can say what happened seven years ago with "Cabaret Catch Fire", a song that is like no other university backcountry precisely with this song and two others that were big hits, "Pure Magic" and "Only of You. "Even as new and with all the road ahead, we can say that the veterinary Neto and João Frederico agronomist may not regret having exchanged their professions because the music has surely built a success story. [Source: siteoficial]
Total Time: 45 min
22 de agosto de 2023
MINGO SANTANA - Na Multidão
MPB
[Música Popular Brasileira]
[Música Popular Brasileira]
2002
Bitrate: 256 kbps
[cd quality]+
Total Time: 44 min
DYLAN DOYLE BAND - Heartbroken 'N Crazy
BLUES
2015
Bitrate: 256 kbps
[cd quality]+
Total Time: 56 min
BLESSID UNION OF SOULS - Blessid Union Of Souls
HIP HOP
1997
Bitrate: 256 kbps
[cd quality]+
21 de agosto de 2023
CODÓ - Coisas da Minha Terra
MPB
(Música Popular Brasileira)
1978
Bitrate 256 kbps
[Cd Quality]+
Bitrate 256 kbps
[Cd Quality]+
Baiano da cidadezinha da Cairu de Salinas das Margaridas, aprendeu a tocar violão pelo método prático de Canhoto, ainda na infância, e começou a compor nos anos 30. Por toda a vida usou o primeiro violão que ganhou do pai, aos 9 anos. Antes de decidir-se pela música, foi pescador, lavrador e comerciante. Como violonista, tornou-se conhecido no interior do estado e em 1938 foi para Salvador, onde já desfrutava de alguma fama. Lá, trabalhou no rádio, acompanhando grandes estrelas como Silvio Caldas, Nora Ney e Dircinha Batista quando iam à Bahia. Sua primeira música gravada foi "Iaiá da Bahia", por Araci Costa em 1951. Na década de 60 mudou-se para o Rio de Janeiro. O primeiro dos seis LPs que gravou é de 1963, com músicas cantadas e instrumentais, incluindo solos de violão e acompanhamentos de conjunto regional. Outras composições de sua autoria que se tornaram conhecidas foram "Zum Zum", na voz de Vanja Orico, "Taiti", na interpretação de Rosinha de Valença, e "Tin-don-don" (parceria com João Melo), gravada por Jorge Ben em 1964 com sucesso, e regravada dois anos depois por Sergio Mendes. Codó foi também compositor de choros, como "Bole-bole", "Quadradinho" e "Boladinho". Bastante respeitado no meio artístico, foi homenageado por Baden Powell na música "Um Abraço no Codó". [Fonte: cliquemusic]
The Bahian town of Salinas Cairu of Daisies, learned to play guitar by practical method of Lefty, even in childhood, and began composing in the 30s throughout my life used the first guitar that his father gave him, at age 9. Before deciding if the music was a fisherman, a farmer and merchant. As a guitarist, became known in the state and in 1938 went to Salvador, which already enjoyed some fame. There, he worked in radio, watching big stars like Silvio Caldas, Nora Ney and Dircinha when Batista went to Bahia. His first recorded song was "Missy da Bahia" by Araci Coast in 1951 In the 60s he moved to Rio de Janeiro. The first of the six LPs recorded is 1963, with sung and instrumental music, including guitar solos and accompaniments regional assembly. Other compositions of his own that became known were "Zum Zum", voiced by Vanja Orico, "Tahiti", the interpretation of Rosie of Valenca, and "Tin-don-don" (partnership with John Melo), engraved by Jorge Ben successfully in 1964, and two years later re-recorded by Sergio Mendes. Codo was also a composer of cries such as "Bole-bole", "SQUARE" and "boladinho". Well respected in the art world, was honored by Baden Powell in the song "Hug A in Codo". [Source: ABM]
The Bahian town of Salinas Cairu of Daisies, learned to play guitar by practical method of Lefty, even in childhood, and began composing in the 30s throughout my life used the first guitar that his father gave him, at age 9. Before deciding if the music was a fisherman, a farmer and merchant. As a guitarist, became known in the state and in 1938 went to Salvador, which already enjoyed some fame. There, he worked in radio, watching big stars like Silvio Caldas, Nora Ney and Dircinha when Batista went to Bahia. His first recorded song was "Missy da Bahia" by Araci Coast in 1951 In the 60s he moved to Rio de Janeiro. The first of the six LPs recorded is 1963, with sung and instrumental music, including guitar solos and accompaniments regional assembly. Other compositions of his own that became known were "Zum Zum", voiced by Vanja Orico, "Tahiti", the interpretation of Rosie of Valenca, and "Tin-don-don" (partnership with John Melo), engraved by Jorge Ben successfully in 1964, and two years later re-recorded by Sergio Mendes. Codo was also a composer of cries such as "Bole-bole", "SQUARE" and "boladinho". Well respected in the art world, was honored by Baden Powell in the song "Hug A in Codo". [Source: ABM]
Total Time: 38 min
20 de agosto de 2023
ALANIS MORISSETTE - Supposed Former Infatuation Junkie
ALTERNATIVE ROCK
1998
Bitrate 256 kbps
[cd quality]+
Bitrate 256 kbps
[cd quality]+
Total Time: 62 min
ADEMIR CÂNDIDO - Brazilian Jazz
JAZZ
1993
Bitrate 320 kbps
[cd quality]+
Bitrate 320 kbps
[cd quality]+
O gaúcho Ademir Cândido, 48 anos, ouviu choro e senenata desde menino, com o pai que tocava acordeão e saxofone. O roque, a bossa nova, o jazz e outros gêneros passaram por ele até chegar ao chorinho. Mas era tempo de ascensão do roque e o garoto Ademir gostava de percussão. Ouvia músicas no rádio e acompanhava batucando no bujão de gás e, no calcanhar, o som do bumbo no assoalho da cozinha. Com 14 anos aprendeu meia dúzia de acordes na guitarra e começou a tocar. Em quatro anos, evoluiu o suficiente para que Porto Alegre ficasse pequena demais. "Com 18 anos, criei coragem e fui para São Paulo porque queria aprender mais", relembra o músico. Na capital paulista, Ademir foi tocar na noite, numa boate na Liberdade. Quatro anos depois, o músico gaúcho foi para o Rio a convite de Nenê, que havia tocado com Elis Regina e tocava com Hermeto Pascoal. Através dele, foi conhecendo outros músicos famosos como os bateristas Robertinho Silva e Paulinho Braga, Novelli, Filó Machado e muitos outros. "Meu primeiro concerto instrumental foi com Nivaldo Ornelas, no Rio, e isso foi abrindo espaço pra mim". Seguiram-se temporadas em que acompanhou e fez arranjos para Fafá de Belém e Leny Andrade. Entre temporadas no Rio e em São Paulo, Ademir Cândido continuou a compor e fazer arranjos, sempre tendo a guitarra como instrumento principal e já com influência de bossa nova, jazz etc. Ele conhecia um grupo que tocava na Espanha e que veio para a Suíça. Convidaram Ademir e ele passou dois anos e meio tocando com eles na Suíça. Voltou para o Rio para gravar seu primeiro disco (Ademir Cândido Brazilian Jazz, em 1993), com convidados especiais conhecidos como Robertinho Silva, Luiz Alves, Luisão Maia e Mauro Senise, entre outros. Compondo e fazendo arranjos, Ademir Cândido tem três trabalhos distintos. Um com o grupo Samambaia em que o propósito é tocar música dançante mas também para ouvir, com arranjos originais. Em paralelo tem o quarteto com o baterista cubano Julio Barreto (dois cubanos e dois brasileiros), tocando música cubana, brasileira e africana com linguagem jazzística e um disco gravado. Tem ainda o quarteto ou quinteto Choro Alegre. "Tenho o maior respeito pela tradição e acho que as raizes precisam ser preservadas. Isso não quer dizer que a gente vai regravar sempre os mesmos autores. Toda arte pode e deve evoluir e o choro também. Meu trabalho é uma mistura do tradicional com coisas mais modernas mas sem perder a essência", conclui Ademir Cândido. [Fonte: swissinfo]
The gaucho Ademir Candido, 48, heard weeping and senenata since childhood, with a father who played the accordion and saxophone. The rock, bossa nova, jazz and other genres have gone through it to reach the choro. But it was time to climb the rock and the boy liked Ademir percussion. Listened to songs on the radio and drumming accompanied the gas cylinder and the heel, the sound of the bass drum on the kitchen floor. 14 years learned a handful of chords on the guitar and started playing. In four years it has evolved enough that Porto Alegre became too small. "At 18, I plucked up courage and went to Sao Paulo because I wanted to learn," recalls the musician. In São Paulo, Ademir was playing at night, at a club in Liberty. Four years later, the gaucho musician was invited to the River Nene, who had played with Elis Regina and played with Hermeto Pascoal. Through him, was meeting other famous musicians like drummers Robby Silva and Paulinho Braga, Novelli, Filo Machado and many others. "My first concert was instrumental with Nivaldo Ornelas, in Rio, and it was making room for me." Followed seasons that followed and made arrangements for Fafa de Belem and Leny Andrade. Between seasons in Rio and Sao Paulo, Ademir Candido continued to compose and make arrangements, always taking the guitar as the main instrument and has influenced bossa nova, jazz etc.. He knew a group that played in Spain and came to Switzerland. Ademir invited and he spent two and a half playing with them in Switzerland years. He returned to Rio to record their first album (Ademir Candido Brazilian Jazz, 1993), with special guests known as Robby Silva, Luiz Alves, Luisão Maia and Mauro Senise, among others. Composing and arranging, Ademir Candido has three distinct works. With one group Fern in which the purpose is to tap dance but also to listen to music with original arrangements. In parallel has the quartet with Cuban drummer Julio Barreto (two Cuban and two Brazilians) playing Cuban, Brazilian and African music with jazz language and a recorded disc. Still has the quartet or quintet Choro Alegre. "I have the utmost respect for tradition and I think the roots need to be preserved. This does not mean that we will always rewrite the same authors. All art can and should evolve and crying too. My work is a mix of the traditional and more things modern without losing the essence, "concludes Ademir Candido. [Source: swissinfo]
The gaucho Ademir Candido, 48, heard weeping and senenata since childhood, with a father who played the accordion and saxophone. The rock, bossa nova, jazz and other genres have gone through it to reach the choro. But it was time to climb the rock and the boy liked Ademir percussion. Listened to songs on the radio and drumming accompanied the gas cylinder and the heel, the sound of the bass drum on the kitchen floor. 14 years learned a handful of chords on the guitar and started playing. In four years it has evolved enough that Porto Alegre became too small. "At 18, I plucked up courage and went to Sao Paulo because I wanted to learn," recalls the musician. In São Paulo, Ademir was playing at night, at a club in Liberty. Four years later, the gaucho musician was invited to the River Nene, who had played with Elis Regina and played with Hermeto Pascoal. Through him, was meeting other famous musicians like drummers Robby Silva and Paulinho Braga, Novelli, Filo Machado and many others. "My first concert was instrumental with Nivaldo Ornelas, in Rio, and it was making room for me." Followed seasons that followed and made arrangements for Fafa de Belem and Leny Andrade. Between seasons in Rio and Sao Paulo, Ademir Candido continued to compose and make arrangements, always taking the guitar as the main instrument and has influenced bossa nova, jazz etc.. He knew a group that played in Spain and came to Switzerland. Ademir invited and he spent two and a half playing with them in Switzerland years. He returned to Rio to record their first album (Ademir Candido Brazilian Jazz, 1993), with special guests known as Robby Silva, Luiz Alves, Luisão Maia and Mauro Senise, among others. Composing and arranging, Ademir Candido has three distinct works. With one group Fern in which the purpose is to tap dance but also to listen to music with original arrangements. In parallel has the quartet with Cuban drummer Julio Barreto (two Cuban and two Brazilians) playing Cuban, Brazilian and African music with jazz language and a recorded disc. Still has the quartet or quintet Choro Alegre. "I have the utmost respect for tradition and I think the roots need to be preserved. This does not mean that we will always rewrite the same authors. All art can and should evolve and crying too. My work is a mix of the traditional and more things modern without losing the essence, "concludes Ademir Candido. [Source: swissinfo]
Total Time: 48 min
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